A Study Of The Wijaya Kusuma Keraton Motif In Cilacap Batik

Authors

  • Herdiana Rachmawati Pasca Sarjana, Institut Seni Indonesia, Surakarta
  • Sunarmi Pasca Sarjana, Institut Seni Indonesia, Surakarta
  • Muhammad Arif Jati Purnomo Pasca Sarjana, Institut Seni Indonesia, Surakarta

Keywords:

Study, Wijaya Kusuma Keraton, Cilacap Batik

Abstract

The Wijaya Kusuma Keraton is an endemic plant that grows on Majeti Island, located near Nusakambangan Island, along the southern coast of Cilacap Regency. The island is managed by the local Natural Resources Conservation Agency (BKSDA). The term “Keraton” (Royal Palace) is closely linked to a ritualistic flower-picking ceremony that once took place on this island, which served as a requirement for the coronation of Javanese kings centuries ago. The myth of Wijaya Kusuma symbolizes glory, fortune, and the granting of royal divine authority (wahyu keprabon)—representing power and sovereignty in all aspects of life. However, there are two different types of Wijaya Kusuma that have sparked debate among the public. The more popular variety is the decorative bokowali type (Epiphyllum oxypetalum var silvestris Sp.), widely cultivated by the general public. Meanwhile, the Wijaya Kusuma Keraton (Pisonia grandis var silvestris Sp.), has largely been forgotten, as it is difficult to propagate, let alone to flower. These are clearly two distinct plant species, both in terms of taxonomy and appearance. As a result, many local residents, including the local gonvironment more readily recognize the bokowali type—as seen in monuments, logos, symbols, and even local batik motifs—primarily due to its popularity. Based on observations of dozens of local batik artisans, only one artisan dares to use the name Wijaya Kusuma Keraton for their batik motif. Even so, the design still carried away by the Wijaya Kusuma Bokowali flow because of the persuit ot the market share. Located closest to Majeti Island and driven by concern, this research aims to study and promote alternative batik motifs inspired by the Wijaya Kusuma Keraton, with stylizations that remain true to the original plant. This is supported by market segmentation analysis and an evaluation of its economic value. The research method uses a qualitative approach with a cultural anthropology perspective. Data were obtained through field observations, interviews with relevant sources, and supporting valid documentation. This study reflects a concern for environmental preservation and straightening out visual motifs that are full of traditional values, aesthetic, philosophical, and symbolic values. It is hoped that through this effort, the Wijaya Kusuma Keraton can gain greater recognition and its existence can be sustainably preserved.

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Scientific Journals

Aina Vahrina, T. Widyastuti, & Darwoto. (2020). Study of Wijaya Kusuma Batik Motifs in Cilacap Batik. Surakarta: Textile Craft Study Program, Faculty of Arts and Design, Universitas Sebelas Maret Surakarta.

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Published

16-12-2025

How to Cite

Rachmawati, H. ., Sunarmi, & Jati Purnomo, M. A. (2025). A Study Of The Wijaya Kusuma Keraton Motif In Cilacap Batik. INTERNATIONAL CONFERENCE OF HUMANITIES AND SOCIAL SCIENCE (ICHSS), 824–839. Retrieved from https://programdoktorpbiuns.org/index.php/proceedings/article/view/610