Kartini's Seclusion As A Symbol Expression In The Creation Of Reliefs

Abstract

This research aims to examine and represent the Seclusion tradition  in the life of Raden Ajeng Kartini through relief artworks as a medium of visual and narrative expression. The concept of the work focuses on depicting the marginalized process  experienced by Kartini, starting from physical confinement to the freedom of the soul obtained through her writing and progressive thinking. This relief artwork is in the form of three dimensions that combines sculpting and carving techniques on wood media, with an emphasis on visual narratives that are able to convey Kartini's emotions and inner dynamics in a reflective manner. The creation of this work uses the concept of symbols from the artist's feelings according to Suzanne K. Langer, mentioning three principles of art, namely expression, creation, and art form. The creation of this work in the context of methodology, there are three stages of creating craft art, namely exploration, design, and realization. This work is expected to be a means of education and a reminder of the importance of freedom, equality, and the preservation of local culture in the modern era.